back-up copy to the 1st, LIMITLESS is here finally, post

LIMITLESS is here finally

My next-to-last day in Denver it finally arrived and the whole thing is still a hoax where on page 330, that’s the “G’LYING” that it was really published for probably, the whole thing I’d just read it from Amarillo to this morning and it comes all together in the last page or two but the real reason is that bit about the money to the girls with the long black hair,* (see below somewhere or on the not-backup file, that I’d felt that way because all or most of the black haired beauties, cliché, come from the Jomons’ working up offspring-descendant copies of their own gay selves, pass them off as being better than ordinary females, I get tired of hearing or sensing about it; apologies though and etc.,) is what the “magician ‘Al’s,'” were really up to in letting that publication slip through the cracks, because that that was the real reason, all libel and slander kept aside, so that the book finally got received by me and I’ll be trying to clear out the whole footer to this blogsite and collect these tidbits on this book until I have something presentable out of it, Mr. Glynn and his screenwriter Ms. Dixon and the Picador/St. Martin’s Press/Pan Books Ltd. all bearing with that I have a personal obsession for using this book as a teaching tool, that that “miracle drug” in there, the MDT-48 they call it, is what I’m talking about and the writers doubtless understand more about lots of the things than I could and the “redeeming social value” is all there in that final page or 2 but the real reason I’d reflected that it had been a published work wasn’t that redeeming social value angle, it was the concept that the women with the black hair require all of our assistance for all the wrongful horror of “the perpetrators” but the whole thing is missing that the black hair had evolved from the murder (of the dinosaur eggs and young, small enough to be killed off easily by the early Autists,) that had evolved from the hallucinogen dependence, that came from the willful disobedience to poor God’s trying to keep the early walkers back from forging over to the Americas, that poor real-God doesn’t have the tangible hands that we do, the early walkers just ignored God’s screaming, then the whole spirit world’s screaming and we’re dwindling out while these guys are still “dependent,” not “addicted” is one of the system’s tricks, that nowhere I think in this book do we hear that the drug is calling for him or him desiring for it out of control with himself, it’s just deliberate taking it because he wanted to, the system claims that therefore it isn’t “drug addiction,” so I call it “narcotic” -dependence, but I’ll be trying to fix a place for this material in the footer instead of this sort of rambling business, but the book is, right at the end it came together, what I was looking for from it. The film is slightly different and they’re both separately good. I’ll try to see if I can find anything on the 2 seasons of the television series. What he as saying more of less I guess is that we have wars/people taking advantage, because they want the chemicals/drugs/”narcotics” that come from our human brains. I have to sign off and then I have the life-support things I have to try to do for like a place to sleep somehow tonight but I’m real excited that this is what I’d wanted the book for, he really does discuss all this reality however symbolically/allegorically/hinting at the larger real world behind his microcosmic example of a person like “Eddie Spinola,” is the character’s name, protagonist’s. And Mr. Glynn and none of us individually can know about every single thing in this world and he just mistook the avarice for the drug’s victimizing the black-haired females “type” because the whole thing is beyond the comprehension of any one of us but in Prehistory they’d forced the way over here and they fell in with taking advantage of dinosaurs’ nests and eating their food and they’ve been bums ever since, the black haired guys I mean, but the females nowadays are largely because “the guys” “grow” female descended-growths of themselves based on how much more “femme” the guys can be than natural females, and also there’s the Mona Lisa whole aspect to the long black haired females’ “types” that goes into that. I put little marks on parts I want to check and there are lots of pages I’d merely skimmed and I hadn’t read the early parts about Melissa, the protagonist’s ex-wife, and then he’s looking at a girl who looks just like Melissa had early on looked like and then Melissa has two daughters, and he leaves them a bunch — I’m not going to tell the story but I’ll try to get back to this. [LIMITLESS is here to be discussed finally …]

  • ^^^^^^^^^^^^^^^^^^^^^^^^^^^^

    >—————– WARNING —————–<

    >In this  3rd reading of “Limitless/The<

    >Dark Fields,” I’m getting the impress-<

    >ion it was published with having a se-<

    >quel in mind, because the ending isn’t<

    clear, he’d “pressed ‘save’” or what <Continue Reading… https://universerescuekathyfoshaywordpresscom.wordpress.com/categories/books/the-dark-fields-limitless-novel-film-tv-show/continue-reading/ please…<

    >^^^^^^^^^^^^^^^^^^^^^^^^^^<

  • &&&&&&&&&&&&&&&&&&&&&&&&&

    &     I already know that my  “point,”     &

    & (never puns here,) is going to be that &

    &  the main point I’ve gotten from this  &

    &    novel is that the protagonist (and     &

    &   then the others if there’s a sequel)     &

    &     would do anything to have their      &

    &    MDT/NZT/LSD/clear/sunshine/     &

    &  /shine/ice/other slang terms, stash   &

    & and in the “by any means necessary”  &

    & obsessed way, like I’m trying to des-  &

    & cribe the global-“magic” system uses  &

    &  me as a gimmick for and that this is  &

    & really bringing us to TOTAL PLANET&

    &                    EXTINCTION.                     &

    &&&&&&&&&&&&&&&&&&&&&&&&&

  • 1962 “French Connection” account by Robin Moore (1925- Feb. 21, 2008,) 1969, photo, where those were suitcases I’d used to play with is how I’ve become involved in this “difficulty” of the brain-eaters. I haven’t worked up a neat file on this yet:

  • Feb. 26, 1962 NY Daily News article on the “bust” that became that “French Connection” book and film. My point is that my having been indirectly-involved in that when I was 6 years old and then to all this “Armageddon Show/Program’s” increasing horror I’ve picked up on alot about this brain-chemicals industry, and then that they’d similarly stuck me into that book of “Revelation” horror-role and I’d traced the writing to that the author/s had been high on hallucinogens and had Autism/Autism-psychopathy and as the years have gone on to that the hallucinogens that their global-system now runs on are from our brains, etc. The “French Connection” photos are here because they’re connected then to this “Limitless” subject-set. This 2nd photo is credited to Dan Farrell.

  • That Bronx neighborhood became Puerto Rican and that theme continued a little when the fraud-family moved to the north Bronx, then in 2001 I’d gotten a place in a Hispanic neighborhood in DC and then went to NYC where it’s about 30% Hispanic, then St. Augustine was founded by Puerto Rican governor Ponce de Leon and now I’m in Houston and starting to see where the novel’s theme of “Mexico” might have been “allegory” around this horror to myself. The protagonist’s first name is the same as the fraud-parent’s or that whole type of system-made people, and the “ola” of Spinola could be connected to the Hispanic theme. It’d brought Spinoza the lens maker to my mind, and the novel does have a big Dutch theme, with Bob Holland and Carl Van Loon, and the stock market had started as the Bourse. https://universerescuekathyfoshaywordpresscom.wordpress.com/spirit-development/out-takes2/bourse-wikipedia-bit/

  • Civic Guard Company of Captain Jan Claesz van Vlooswijck and Lieutenant Gerrit Hudde; by Nicolaes Pickenoy, 1588-1656; PD for age. My point is that the guys look like an early “spawn” of the “Jomon” type’s.

  • https://en.wikipedia.org/wiki/Joseph_de_la_Vega — This Josseph/Jose Penso de la Vega (1650-1692) seems very similar to the Joseph Nasi character that this torture to me seems likely descended from. I’ll try to locate to read a copy of that “Confusion of Confusions” book about the stock market.

  • My photo of a bad pdf of the cover to the original “Limitless” edition, titled “The Dark Fields.”

  • "Limitless" book cover shortened.
  • Brendan Behan being asked to sing again at the Jager House Ballroom 85th Street and Lexington Avenue, 1960/ World Telegram & Sun photo by Phil Stanziola. Library of Congress Prints and Photographs Division. http://hdl.loc.gov/loc.pnp/cph.3c08030 – This work is from the New York World-Telegram and Sun collection at the Library of Congress. It is part of a collection donated to the Library of Congress and per the instrument of gift it is in the public domain.

  •  http://hdl.loc.gov/loc.pnp/cph.3c08030 — (link to the Brendon Behan photo.)

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    P.3, the protagonist’s lies start on this first page of the novel where he says that he “couldn’t very well have inflicted my little mushroom cloud of woes on any of my friends, so I guess I had no option but to do what I did ….” As a gullible person and reader that had set me to assuming that he was a nice-enough guy because he did have friends and then altruistically was trying to protect them. Then you read along and get wrapped in the story but in the back of your mind you’re still figuring that he’s got people he cares about somewhere that’ll likely be coming up as characters and only one freelance co-worker acquaintance comes up, (Dean, pp. 70, 76, 78, 84,) and the protagonist only, p.87, messes with his head, and then we don’t hear any more about him or much of anyone else, like the ex-girlfriend mentioned on page 7, and her child. And the “couldn’t very well have” isn’t New Yorkese, where he is allegedly from, and goes on throughout the novel, which also isn’t very noticeable at first reading. Now I’m noticing he seems a compulsive liar to everyone, the whole book that way.

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  • p.4 the protagonist begins mentioning that he’s sitting in a wicker armchair. Perhaps it’s related to the 1973 British horror film about The Wicker Man or some other “reason.” — This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, donated “Sillon,” armchair, by Tamorlan, on April 15 2012.

  • This seems to be a wicker chair, 1927, that “the real Mies” I think had actually designed, me sort of obsessed with this belief that “the real Mies” had been set up and disappeared in the transition from working in his native Germany to here.

  • P. 6 the protagonist mentions his employer, Kerr & Dexter, and later details describe that the offices are located in the old Port Authority building: Looking northeast across 9th Ave and 15th Street at Inland Terminal One of the New York Port Authority on a mostly cloudy afternoon, Jim henderson, 22 March 2009. I, the copyright holder of this work, release this work into the public domain. This applies worldwide; (found through Creative Commons.) — I’d found a much bigger perspective of this photo but can’t find it again right now yet. The size of this Lusby Simpson (one place has it Simpson Lusby) building should be made more clear. It’s where the (“Limitless”) protagonist’s freelance-copywriting job’s offices are so gets mentioned a bit starting on page 6 to 70. Nowadays it’s famous for something else, too “controversial” for little me to mention. I’ll look for the fuller version I’d found from the cellphone. https://commons.wikimedia.org/wiki/File:PONYA_Inland_Term_1_jeh.JPG; also on page 293.

  • p. 6, “Spinola”The Surrender of Breda by Velázquez, painted by order of King Philip IV of Spain, 1635, five years after the loyal Ambrosio Spínola died as Governor ofMilan. Spinola magnanimously raises the surrendering governor of Breda. Museum of PradoMadridSpain.
  • p. 8, another reference to The Great Gatsby by Fitzgerald where here Vernon looks and smells like money and there Daisy’s voice had sounded like money, but I’d have to check that page in the Fitzgerald, just off of general recollection now.

  • Neal Cassady and Jack Kerouac, circa ____, This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license., contributed by Found SF, 12 Oct. 2007, ://foundsf.org/images/b/bd/Litersf1%24kerouac-and-cassady.jpg — I’m thinking that with the 1963 Kennedy assassination and I don’t know what other deaths the “design links” of those passings in the 1960s shaped this “Tsiolkovsky-Ginsberg” paradigm all over me by which the Revelation Armageddon threat-promises were snuck through, that those deaths were on purpose for forming toward what we have today where as far as I can tell the planet’s been turned into like a (human) slaughterhouse waiting room for feeding cannibalism-approved stereotypes, with the Autism and serotonin-dependence. — Now I’m wondering if one of both of the friends might not have been from the little-known rocket-maker Rudolf Nebel. It looks like they made a stamp for him in Paraguay(?)

  • p.9, I’ll get a better camera someday probably, but this is all I could get right now for the character “tao,” as mentioned that that religion had been an interest of Vernon’s the 10 years earlier, Tao.

  • p. 9 Spinola mentions ARPANET as being the beginning of the internet. I don’t capitalize it because I’m always trying not to antagonize the system and they always do horrible things to keep me away from their computers, which I’ve tried to warn about, that they might be wanting me to be on one for building the excuse for busting this same phony inter-net that they’d built for keeping people away from other ways that could have been built, etc., that everything’s a little difficult for itsy-bitsy me to tackle with trying to describe specifically enough, but I’m sure that this internet is more of a de-education trap than it gives the impression that it is.

  • p.10, Vernon oddly saying the protagonist’s full name as though to himself, then the protagonist-narrator mentioning that Vernon seemed nervous unusually, where his one great virtue as a coke dealer had been “his relative composure at all times… quiet and businesslike, unassuming. a good listener,” and maybe “a little too passive sometimes, like a dedicated weed smoker adrift in a sea of coke-fiends.” That makes me try to figure if maybe Vernon had always had some “MDT”-like substance that he was using instead of the coke of his customers’ use.

    page 12, “psychotronic” images of his ex-wife, Vernon’s sister.

    page 17, how he figures what people’s looks are saying. (244)

  • WARNINGS, November 2018

  • The “Lipstick Building,” mentioned p. 18. 53rd Street and 3rd Avenue, NYC. (By Philip Johnson and John Burgee.) Link to an architecture file soon. This image, which was originally posted to Flickr, was uploaded to Commons using Flickr upload bot on by Blunt.. On that date, it was confirmed to be licensed under the terms of the license indicated… This file is licensed under the Creative Commons Attribution 2.0 Generic license. See link, https://universerescuekathyfoshaywordpresscom.wordpress.com/types/you-were-wrong-merchant-of-venice/erich-mendelsohn-1888-1953-architect/why-this-architecture-mendelsohn/

  • p. 19 is where the name Deke Tauber is first mentioned (and is one of the subjects that is left hanging at the end,) also on pp. 166, 270.

  • p. 26 The protagonist mentions that he had to keep busy, that he’d noticed that right away after taking the first MDT pill, that he’d immediately set into busyness, and that goes on throughout the novel and seems to be the way it is so that we’ve had these deviants with Prehistoric-descended Autism-psychopathy and friends being real real busy, running circles around all the “others” of the Earthlings.

  • “Brave New World” novel 1932, modern book cover

  • 1939nyworldsfair.com popular_science-Mar_1939.pdf –  (copyright request emailed to Bonnier company, 10/30/18.)

  • Norman Bel Geddes with part of the Shell Oil City of Tomorrow. Photo: Frances Resor Waite c.1937, (d. 1943.) Book scan Albecht, 2012, p. 318; This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 70 years or less.

  • https://universerescuekathyfoshaywordpresscom.wordpress.com/categories/books/the-dark-fields-limitless-novel-film-tv-show/limitless-notes-index/worlds-fair-ny-1939/— I’m finding that there’d been alot about going to outer space at the 1939 World’s Fair in that same Flushing Meadows, Queens area, about Venus and meeting Martians or what but I always have difficulty in using material that isn’t clearly marked for public domain, that there’s a great article in 1939 or ’40 Popular Science, etc. — a quote from Raymond Loewy: I suggested to the Chrysler Corporation that it display an animated, realistic model of a rocket-launching spacecraft installation at the 1939 New York World’s Fair as an expression of the corporation’s long-range vision and technological leadership. It became one of the fair’s greatest attractions. Every twenty minutes a batch of visitors was admitted to a huge half-cylindrical area, in total darkness except for the spotlighted rocket on its launch pad installed in a shallow pit on one side of the space. The launch area showed all kinds of lights, white and colored, blinking and conveying a feeling of activity and suspense. A deep rhythmic sound, the whirling of powerful motors, compressors, and high-frequency sound waves made the whole area vibrate and pulse. The rocket seemed to be made ready for lift-off and the audience was on edge. Then at the sound of sirens: Lift off! In a moment, a blinding flash of hundreds of strobe lights and the roar of compressed air suddenly released- the rocket, through optical issusion, seemed to disappear overhead in the blackness of space. Then total silence while a gradually diminishing point of light faded away to the stars. People who saw it once often returned; it was a thrilling preview of what many believed could happen in the future. It did; only thirty years later. https://universerescuekathyfoshaywordpresscom.wordpress.com/categories/books/the-dark-fields-limitless-novel-film-tv-show/raymond-loewy/

  • (“Dr. Feelgood” on the far right,) Prince Stanislaw Radziwill laying on far right, (1914-1976, (looks like one of Raymond Loewy’s?)

  • Billy Rose, 1899-1966, had a big Aquatics show at the 1939 Fair. 1948 press photo released without a copyright, #spp54943.

  • Hendrik Willem Van Loon, 1882-1944, Rotterdam to Greenwich, CT. — 2019 note; for what it’s worth I found some odd piece of connection between Van Loon and Florence Sabin, as though he’d given her a gift of a scrapbook collection from a series on “the Most Influential Women” of about 1932, I have to check more on this and hate to let the system know when I’ve caught them at anything because then they go Big Brother back-erase things like they’d never happened, but it looks like he’d made a gift at least for Sabin if not for the other ladies involved.

  • I have this really bad feeling about Van Loon, (pronounced “Van Loan.”) One of “Limitless/The Dark Fields’” major characters is Carl Van Loon and I’ve been trying to figure the character with that Dutch name and cam across an odd mention that Hendrik Willem Van Loon had contributed some little something (a sample school book by the E.I. duPont company as a giveaway from their “Wonder World of Chemistry” Exhibit,) to the 1939 World’s Fair in NY and now I’m stuck trying to learn — what Van Loon was up to, no coincidence that he’s of this “E Pluribus Unum” Revelation-Armageddon takeover’s “Pill-grim boy” stereotype I think was the author of that last book in that back of that/the “Bible,” etc., etc. It seems that this is all that simple. From my little search-engine “research” Mr. Van Loon appears to have merely been a normal and nice enough person, etc., but I figure he was all involved in sabotaging everyone here except his and his partner’s, that “Jomon” type’s, business. They went into people-manufacturing, the 2 stereotypes from that “Ghent Altarpiece” that I keep pointing out from the Pilgrim panel in the low right-hand corner of the opened “Ghent Altarpiece,” etc. Probably tomorrow I’ll be switching this photo to the below book of Revelation area of this footer, but I don’t have much time today. It seems that in a relatively quiet way Van Loon’s and the Jomon type were skulking all over the place setting up this Armageddon business. Houston where I am now seems founded by them and they’re all over the place all the time, like that “rest home” I’d spent a month at in Massachusetts with this phonied-up low-oxygen difficulty breathing business was run by this stereotype, same as the Bishop Shahan and Aleister Crowley, that I’d have to start referring to the stereotype as being the 666-type, which like isn’t a real popular thing to do when they’re so rich and powerful and Autist all around and taking the earth, Earth, to total extinction with their “big-headed” egos from the Autism I guess the whole thing is, but the sneaking around NY back then, and previously he’d been to Cornell in Ithaca, NY and that’s where that whole area was St. Lawrence River infiltrated from Siberia, etc., with Van Loon’s Rotterdam being one of their big “cells” as they  hopped along out of Siberia and over to here, etc., the duo from the Pilgrim panel sneak-mass-reproducing themselves off of their “MDT” sales’ profits, all over this earth. I’ll change these long blurbs to links soon also, but I’m alone trying to explain this crime, not doing a blog so much as trying to explain that there are psychoto-psychopaths that are forcing us to TOTAL PLANET EXTINCTION that have lifetime been using me as a LURE gimmick for their slaughter-system of procuring the “miracle drug” for their sales-support mass-reproductions of their “E Pluribus Unum” selves, that I don’t do this as a hobby but they’re all day long every day perpetrating this crime heedless of the loss of all Creation, that that isn’t their problem, they’re “busy, busy, busy” with their self-Limitless! -believing ill selves and this horror-circus all over me all day long every day, etc. Also this guy was mainly an historian and I guess that that’s how the system-people have gone around changing reality to their “1984”-type beliefs that we’re now living in. There’s one picture I always recall from one of his books that I can’t find an attribution on or anywhere else and so it seems he’d faked it, the right word for that out of my mind while I’d backtracked to add about there wasn’t an attribution on it. I’m afraid to simply say it because the system nonstop reads my mind and watches me in libraries and runs go changes things when I catch any of their dubious or made-up things. Maybe “made up” is the word that slipped my mind, as the “limitless” underworld or satellites are always sitting on my skull.

  • p. 31, the early days of the Grateful Dead are mentioned. From Wikipedia on that: … Other supporting personnel who signed on early included Rock Scully, who heard of the band from Kesey and signed on as manager after meeting them at the Big Beat Acid Test; Stewart Brand, “with his side show of taped music and slides of Indian life, a multimedia presentation” at the Big Beat and then, expanded, at the Trips Festival; and Owsley Stanley, the “Acid King” whose LSD supplied the tests and who, in early 1966, became the band’s financial backer, renting them a house on the fringes of Watts and buying them sound equipment. “We were living solely off of Owsley’s good graces at that time. … [His] trip was he wanted to design equipment for us, and we were going to have to be in sort of a lab situation for him to do it”, said Garcia.[30]

  • March 1964 victim “Kitty” Genovese had lived near the Flushing Meadows site of the NY World’s Fairs. I’m afraid the system is repeating the modus operandi of this scam onto me but on this global-system scale but I can’t explain why it seems that way right now because of my all-alone status, that it’s too “controversial” for me to mention living people. I’m only supposed to be doing how we’d gotten into this system, not mentioning the living “stars” of it, like government employees, 2 of them, that come from those staircase-figures in that Matejko painting, plus then so does the fraud-parent and that other “Witness Protection” character I’m trying to add a photo of, will have to wait till tomorrow or Monday, that those types were involved in the Genovese crime and are all over me and likely so on the premeditated purpose since I’d gotten into the Army in 1973, the system maybe trying to get this LURE off of me into the system through that connection of me into the “government,” the system’s infiltration purpose I mean.

  • 1964 NY World’s Fair’s Unisphere

  • It’s a small world after all, it’s a small world after all, it’s a small…. — I think this particular image didn’t come from that 1964 World’s Fair exhibit, that I’d accidentally gotten one from the Disney-places, which are likely all copyrighted and not the point, the point being that the 1964 ones were good, I’d seen those and that’s what I was looking for but haven’t found an image of yet, the cute little wooden-looking Dutch dolls and such I guess, that I don’t recall ones all lit up like this, these might be more modern and I’ll try to get this replaced as soon as I can but the song and the concept are extremely important to all this planeticide the “little people,” the Autists, are actually getting perpetrated, that it’s, Disney forgive, but, sort of a spiteful little ditty, like God hadn’t made such a big or a big-deal planet after all, they’d taken over it, and with the belief-set that they’d be ruling from the skies soon, no more big-sized humans required after all, with their mass-reproduced selves they could sing about it out loud now almost.

  • p.41 it’s mentioned that Vern has green eyes and high cheekbones, then page 196 that (Vern’s sister) Melissa has prominent cheekbones.

  • p. 74-75, the protagonist had lived in and now makes a call to Bologna, Italy. The area comes up alot as I’m trying to trace the system but I’ve never looked into anything about it until now I just heard about this Wu Ming writing group’s “Altai” novel that mentions this Joseph Nasi character that it seems to me directs this torture-set to me and the whole global-system, descendants have been creating this global-system for their world-takeover, etc., and in looking into it quickly now in Wikipedia I find this painting of Pope Benedict XIV:

  • Benedictus XIV, by Pierre Subleyras, 1699-1749, 52×37″ oil on canvas, Palace of Versailles; This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less. — and offhand it looks like maybe he was a “Shahan-type, Crowley, many others,” but I’d have to try to learn more on this subject-set. — The bums have quit letting the cellphone send the images to here I guess because they want attention to this larger-sized copy. https://en.wikipedia.org/wiki/Pope_Benedict_XIV 1675-1758, check a portrait by Giuseppe Maria Crespi Perhaps one of the greatest scholars in Christendom, yet often overlooked, he promoted scientific learning, the baroque arts, reinvigoration of Thomism, and the study of the human form. Firmly established with great devotion and adherence to the Council of Trent and authentic Catholic teaching, Benedict removed changes previously made to the Breviary, sought peacefully to reverse growing secularism in certain European courts, invigorated ceremonies with great pomp, and throughout his life and his reign, published numerous theological treatises. In terms of the governance of the Papal States, he reduced taxation and also encouraged agriculture. He also supported free trade. A scholar, he laid the groundwork for the present Vatican Museum. Benedict XIV, to an extent can be considered a polymath due to his numerous studies of ancient literature, the publishing of ecclesiastical books and documents, the study of the human body, and his great devotion to art and theology. — This came out too dark, I’ll have to try to do it over again on a better day than this.

  • Pp. 90-91+ he decides to learn about and go into “playing” the stock market and in trying to explain that the novel is about serotonin-thieves who believe they are better than mere “other” people I now have to look up to learn a few things about the stock market and right away somehow the old “Tulip mania” (circa 1637) somehow comes up in the subject and that’s a good place for describing that alot of the global-economy comes from the work of the Joseph “Lepanto” Nasi (1521-79) Ottoman Empire character that seems to be behind this specific victimization of myself, but then I’m learning that the NASDAQ, the National Association of Securities Dealers Automated Quotations, only began in 1997, and that’s when the Revelation Armageddon-system had had like a ghost-prisoner in San Francisco much the same way they have me cornered here in Houston like that, and it seems that their Armageddon was therefore going so well that they went into this NASDAQ part of it. I’ll be trying to work on putting this into better words but these “magicians” sit on my head 24/7 and make anything difficult for me to accomplish, so they can thrive, as they have been, off of this. That NASDAQ seems mostly from that Arctic Seas area, where my explanation is that the system-Jomon and their Autist partners had taken the Yenisey and Ob rivers up to the Arctic seas and then travelled west over the top of Europe establishing “cell” bases for themselves and I guess the Amsterdam area was early-developed by themselves, then with that Tulip mania as being one of their scams. — Also there’s coming the aspect of the interconnectedness of the stock market and gambling and then also that that might be in the “Better Future” of that Man At the Crossroads mural and I’m sure that the underground does wagers on me all the time as a regular part of this unprovable “Armageddon Program” all these decades anymore now, and while on the subject of the stock market’s links to the practice of gambling I feel it’s a big aspect of the whole thing that the system lies and cheats “like water,” that to them lying and cheating to “others” outside of their book of life-family hasn’t any meaning, that, like, by whatever means necessary, they feel that lying to the “others” doesn’t count because the others had, according to the Autists, always lied and cheated the Autist-people so that any lying and cheating back to them is the same as nothing and therefore when the underground-ensconced Autists pull a poker-playing scam of mind read-cheating it doesn’t count and then that perspective is some ingrained part of their invention of the stock market as well, the same sort of “card shark” scam of feeling that their own cheating is okay.

  • The NASDAQ seems to come mostly from that area under the bright blue spot-mark I put onto this map from the World Book Enclyclopedia’s Earth artcle. All that water-area is the Baltic Sea, about #11 on their grid map. Then St. Petersburg, Russia is just to the east there and a day-long car ride would get you to the White Sea, just below the #12. East of the White Sea you could get along to the Ob or Yenisey River down into Siber-Mongolia and that’s where I figure the system has long been base camped and reaching out from, to get the planet to their extended book of life-“family” alone, where they’d be safe from the barbarians like me that they’ve parasited on all along in order to sneak-get to where they are today, the planeticide not their problem. That right hook-like island under #13 is Novaya Zemlya, which must have been a strategic point as they made their way across the top of Europe and over to the St. Lawrence River and into the Great Lakes and this continent here, besides what all they were doing from the south up.

  • p. 104. PD because I took this photo of the c. 1900 Hahnemann Monument near Scott Circle, 15th, Rhode Island Avenue and N Street, WDC. Above it the words say, Samuel Hahnemann, Doctor In Medicine, Hofrath, Leader of the Great Medical Reformation of the Nineteenth Century, Founder of the Homeopathic School. (– Hofrath/hofrat was like a political counsel.)

  • On page 104; the image above is from the back of the Samuel Hahnemann monument, that that looks like a toilet bowl, and I couldn’t find any public domain image, — I could go take one I guess, of a toilet bowl to use to describe this little scene where the protagonist finds he’s unable to vomit, but, … “…the weird thing was” that he no longer felt guilty either, having spent about twenty minutes trying. I’ll get back to this later.

  • p. 106, he mentions “Loisaida” and calls it the Latino quarter. I read that the term is the pronunciation of “Lower East Side” by the Puerto Rican populace there. From my experience on the “French Connection” area of Longfellow Avenue in the Bronx I guess that it’s the same people-manufacturing business in both places, as my recollection is that Longfellow Avenue was a Puerto Rican neighborhood but since then I’ve put together that that was a new demographic there, that I’d grown up while it was “morphing” to become the Puerto Rican area that it became. There’s a small bit in Robin Moore’s “The French Connection” account of that scam where he mentions that the narcotics-industry was being given over to Caribbeans as the earlier distributors had moved into conventionally respectable businesses; I’ll try to find that page number but the point is that I think “Loisaida” was because of the people-manufacturing underneath that “Alphabet City” now area. Then he goes to ask “Nestor” where he can get a big money-loan.

  • p. 107 the protagonist goes looking for a loanshark for no idea I can figure. The local diner counterman tells him the Russians from Brighton Beach, Brooklyn, are the people for that, and that they think this country is a joke…

    … Then he warns him that, “These guys are crazy… They’ll ” — do unthinkable things to torture you to death he gets warned and he nevertheless wants to speed up his profits by using a larger sum than the $35,ooo or what he’s already amassed in about 2 days of starting in with working with the stock market over his at-home PC, he goes to borrow $75,000 from these crazy foreigners, Russians with a past from the gulags, and agrees to accept $100,000 from this character that’s called Gennady, which has been plaguing me to figure out what he might be allegory or symbolism for. Three days ago I went and looked at that book that Jay Gould (1836-1892) had allegedly written about an “upstate” NY area and his description of alleged Indian tortures recalled Gennady to my mind, nearly identical description that on p.107 here is too disgusting for me to be able to type, just like that Gould had described were of the upstate NY types of the old-time tortures settlers had found, and of course I’ve got my own belief that “upstate” around the Great Lakes was all infiltrated by boats from over from Siberia, working the way up to the Arctic seas and over till they reached the St. Lawrence River and down, then making it into their “Seaway” just before my own “French Connection” difficulty in 1962 had started. They at the end of this book the protagonist describes Gennady’s head as looking like an old football or some such, which would be like the “tawny” skin color of the “native” Americans back prior to the so-called “Revolution” that was probably cover-up for the sneak-infiltration from Russia-Siberia and south of there up and over into here. Alot of words because I’m always having to beat around the bush because of this always all-alone status and that “the plug” might get pulled on me (p. 314.)

  • GEICO!

  • p. 113, 126, etc., the Orpheus Room; Albrecht Dürer, The Death of Orpheus; see link:

  • https://universerescuekathyfoshaywordpresscom.wordpress.com/categories/books/the-dark-fields-limitless-novel-film-tv-show/limitless-notes-index/orpheus-subject-ransom-of-hector/ On the Orpheus subject also: https://en.wikipedia.org/wiki/North_American_Man/Boy_Love_Association— Allen Ginsberg, poet and father of the Beat Generation, was an affiliated member of NAMBLA.[38] Claiming to have joined the organization “in defense of free speech”,[39] Ginsberg said: “Attacks on NAMBLA stink of politics, witchhunting for profit, humorlessness, vanity, anger and ignorance … I’m a member of NAMBLA because I love boys too—everybody does, who has a little humanity”.[40] He appeared in Chicken Hawk: Men Who Love Boys, produced and directed by Adi Sideman, a documentary in which members of NAMBLA were interviewed and presented defenses of the organization.[41]— This is specifically relevant to me and my situation because the “invisible-torture” to me as a female is connected to the “Ginsberg/Tsiolkovsky also maybe” lack of interest in females beyond the ovaries’ being procured. I believe that that’s the basis of this world’s-most-invisible-torture I’ve had invisibly on me right to this moment, and of course it’s connected to the brain-eating, the “voting” to use female victims by the man-boy mass-self-reproduction “Alpha and Omegas” and etc.

  • P. 151 the protagonist mentions that he found himself all of a sudden lurching sideways and then into all the trouble, so I think this would be a good place to put a link to a file on the Physical Symptoms mentioned throughout the book with my explication that mainly they come from this “underworld” manipulation of all of ourselves up here. The protagonist had undergone sleep deprivation and then went out and found he felt manipulated unnaturally or uncharacteristically for himself and it’s my experience that when the “Armageddon-making Program” wants to do a “big show” invisibly off of me they generally do that so that my brain is weaker and more vulverable so I’m more easily manipulable as with how this character had felt this sudden lurching. In the same paragraph it mentions that the placed he’d been lurched into had wicker stools and starting on page 4 it’s repeatedly mentioned that he’s sitting in a wicker chair and I can’t figure what wicker might symbolize. Wikipedia says an English term for it is rushwork is all I’ve come up with so far. Physical symptoms are mentioned as in pages: physical sensations 31 mild headache 78 electric 101 104 146 156 164 170 override mech 182 c. 187 201 ch 17 206 207 224 226 230 241 248 250, 123 brain tissue, vomit 12 18 90 104 157 221 319 320, 280, 281,

  • p.152, oil subject mentioned.

  • p.153 Mention the muralist Diego Rivera and I guess it’s inter-connected that he’d gone to NY from doing a mural-set in Detroit, as back then Huxley’s “Brave New World” honoring His Fordship all the time had just been released, that mass-producing cars was much on the system’s mind at the time of Rivera’s “Man At the Crossroads” mural for Rockefeller Center, and also I’ll try to fit in that the Barnum & Bailey co-founder James A. Bailey had been from Detroit, that the town was a big deal to the evolving-here system, is where the elephant Jumbo had been killed by the railroad train, which I think was set up so the inside of his brain could get explored, as being of Bailey’s interest, who’d then used to commute from Madison Square Garden through the Bronx up to his new home, The Knolls, in Mt. Vernon, NY. They won’t let go of this stranglehold on the unsuspecting normal people, the “Jomon” that I figure Bailey also had been disseminated from.

  • p.153-54, Man At the Crossroads Looking with Hope and High Vision to the Choosing of a Better Future, mural, circa 1933, by Diego Rivera. — I’m starting to think that that’s a “petroleum-making” or people-rotting tank over the center, with the armies on both sides walking into a pit that becomes that “refinery” maybe and then the pipes into the underground where then green stuff sprouts. Also it’s like they’re for decomposing those large-sized statue-people so as to “grow” the sedentary well-behaved and propagandized disembodied-ovary birthed-people. I’ll try to make a bigger copy but there’s a little file I’m trying to start on or for it also, suspecting something, and then I just noticed that Rivera really looks like a “Shahan-666” -type in one of the photos, that he probably was, like the pair from the “Ghent Altarpiece” again, the St. Christopher in a small-grown size or what and in a female lifetime and then the Pill-grim boy is a large size that lifetime. And I think the mural was about turning people into Standard and other companies’ petroleum oil and putting it up was a ritual that satisfied the “magic’s” requirements so then they staged getting it back out of sight as though normal people’s reactions caused the truth to be covered up from their “barbarian,” like I’m always called too, selves. Those are supposed to not be propellers but slants of light about universes large and small, but really those propellers and engine equipment were scary things in the hands of psychopaths, everyone scared that they’d be jumped and thrown into a machine that would kill them, quietly intimidated, and it seems that those Shahan-666 etc. types are always dangerous, and they smile and laugh and joke alot too I think, that that does seem like one of the Gennady character’s traits also, while being bottomlessly sadistic at the same time.

  • Frida Kahlo’s self-portrait “Diego Rivera and Me,,” him in her head and an eye in his head.

  • https://UniverseRescuekathyfoshaywordpresscom.wordpress.com/categories/books/the-Dark-Fields-Limitless-novel-film-tv-show/p-161, -Seagram-Building/

    PD from Noroton, English Wikipedia, see above link.

    “Mies”-designed library at 9th and G Streets, NW, WDC, where I’d been most of this millennium:

  • The WDC main library was “Mies”-designed also. It was full of little doorways, is being revamped now.

  • p. 161 he mentions “swanning” and gliding into the Four Seasons restaurant at the base of the Seagram Building. As bad as I’m learning the system has been it’s occurred to me that when it had started the “Four Seasons” restaurant might have been twist-translated by the system as to “Force-Ee-Sons,” that men were cornered into having to quietly use their system-“grown” disembodied-ovaries bio-progeny as meals. The new owner of the Seagram Building I read had forced the Four Seasons restaurant out, and maybe he’s a “Shahan.”

  • PD detail of “Holy Grail” by d’Espinques;. This is my first “click-on,” or try the link below.

  • p.169, Was he being hugely irresponsible?

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About kathyfoshay

I’m all alone with the real end of the world and always looking for assistance and no one’s ever contacted me from the hundreds of letters I’d sent while at the big homeless shelter, 2nd and D Streets, NW, as though anyone that tries to contact me gets disappeared, my life used as a LURE-gimmick that goes to how that Armageddon prophecy in that book of Revelation has been being snuck-through, and this is sort of the bottom of the barrel of ideas for trying to find assistance, thinking I could get all my various writings on this in one place that letter-recipients could then look up if they’re interested. That means I’d have to see if I can send my emails to here, how to do that. WordPress said there is a way but it entails that spam would also get the email address. My time for now it up I guess. Working in this sitting position isn’t healthy for me but I’ve always got to be doing something toward trying to get hold of someone to help me. It’s like I’m a microcosm of the Earth or the human race and if someone could help me out of this torture then that’d be a start on trying to get the whole Earth out of this. 5/1/17, still all this, etc., same situation. (7/14/18 now….)

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