1815 sold copyright to grand odalisque for 20 times more than its purchase price, p. 140,
rug dot nl/research/portal/files/2713425/c4 dot pdf
monte cavallo palace (italy)
(’54 was the joan of arc, 1855 was the paris universal exhibition 0f 1855
d. age 86 in apt quai voltaire, left belongings to montauban
Original file (830 × 1,023 pixels, file size: 118 KB, MIME type: image/jpeg)
|Jean Auguste Dominique Ingres: self-portrait|
Français : Ingres autoportrait à 78 ans galerie des Offices Florence
|Depicted people||Jean Auguste Dominique Ingres|
|Date||28 February 2014, 18:35:09|
|Medium||oil on canvas|
|Dimensions||Height: 62 cm (24.4 ″); Width: 51 cm (20 ″)|
1948 (Uffizi Gallery)
|Camera location||View this and other nearby images on: OpenStreetMap – Google Earth|
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
That’s the painter Ingres’ self-portrait on the left behind Joan of Arc and I’m starting to recognize that it’s the type in the Edwin Drake’s grave’s “The Driller,” and likely from that “Inauguration of the Vatican Library,” (Giulio?) della Rovere who became Pope Julius II.
I think all that about the gods and temples were really stories made-up about the regular people being invaded by the New World Autists and the Jomon friends they’d made.
— When, in 1979, I’d been tricked into this Armageddon horror I’d stipulated that I wouldn’t or couldn’t have anything to do with decapitation, because that’s insanity that is beyond my coping abiltiy, I can’t do anything with that sort of a person that would do that, that that’s beyond insane, is beyond psychopathies for instance, is something I couldn’t get anywhere in trying to get that ‘straightened out.” And similar is the whole turning people into our hydrocarbons, into petroleum, that that’s an insanity like the decapitating.