Amerigo Vespucci/Simon Flexner

Amerigo Vespucci business, from Wikipedia:File:"America" (Engraving) Nova reperta (Speculum diuersarum imaginum speculatiuarum 1638).tif

English: “Americae Retectio”, circa 1615 (“Allegory of America” engraving by Jan Galle after Jan van der Straet). The scene depicts Amerigo Vespucci representing the Old World explorers as he wakes up a Native American from her hammock slumber. Local flora and fauna dot the background, as well as natives having a cannibalistic roast. Johannes Stradanus or van der Straat, (1523-1605) was a Flemish artist but spent much of his life in Florence. Stradanus sent his original drawings of “Nova Reperta” (“New Inventions”), a Renaissance celebration of recent discoveries both scientific and geographical, to Antwerp where they were first engraved and published by Phillipe Galle circa 1600. In Speculum diuersarum imaginum speculatiuarum a varijs viris doctis adinuentarum, atq[ue] insignibus pictoribus ac sculptoribus delineatarum… (Antwerp: Jan Galle, 1638). The original from which this was scanned is found at the Smithsonian Library. 1615, 1638, Speculum diuersarum imaginum speculatiuarum, /Author: Jan Galle, After Stradanus  (1523–1605) This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1923. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
Valued image This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: “Allegory of America” engraving by Jan Galle after Jan van der Straet. You can see its nomination here. —

7/25/18, I’ve got all kinds of teensy difficult wisps of connections in mind to this above Amerigo Vespucci picture that I have to check out that relate to everything I’m trying to get across, am trying to communicate. And then I have to check something on Dr. Kanner. At best he was mistaken back then, due to the system’s being all over Germany. In this drawing maybe he looks like the “Titian’s Schoolmaster” type that Florence Sabin’s boss at the RIMR had been, of Simon Flexner’s type. Flexner came from a big Jewish family in Louisville, KY. I’ll have to try to look at more Vespucci images and try to start learning about him but tomorrow’s supposed to be my last day and I take a taxi and start going through my “regular” life of trying to do everything that should at least be touched bases with and so it’s unlikely I’ll be able to do as much of making this nice as I’d like to. I might have to just look for things on the search-engine and store them here for the time being.

File:Giovanni Battista Moroni 016.jpg
Giovanni Battista Moroni (1525-1578:) “Titian’s Schoolmaster”   (I have to learn how to put the Public Domain statements into some hyperlink some how, like Wiki footnotes.) Object history:  Borghese collection, Rome by c. 1622 until after 1793; Robert Fagan, who sent it to England; possibly through Sieur Durand in 1801 to William Buchanan, London; Granville Leveson-Gower, 1st marquess of Stafford [1721-1803], London; by inheritance to his son, George Granville Leveson-Gower, 1st duke of Sutherland [1758-1833], Stafford House, London; by inheritance to his son, George Granville Sutherland-Leveson-Gower, 2nd duke of Sutherland [1786-1861], Stafford House; by inheritance to his son, George Granville William Sutherland-Leveson-Gower, 3rd duke of Sutherland [1828-1892], Stafford House; by inheritance to his son, Cromartie Sutherland-Leveson-Gower, 4th duke of Sutherland [1851-1913], Stafford House; (Duveen Brothers, Inc., London, New York, and Paris); sold 1909 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park; gift 1942 to NGA. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or less. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

 Another reason this is floating in mind is that maybe he looks like Pope Paul VI, I’ll have to find his vital statistic-set. I was in Rome March or April 1975 and visited the Vatican on a Wednesday and it turned out that that was the general audience day of the week so that I found myself sort of herded along into the big chuch or cathedral or Vatican part itself. — Wow, and I’m trying to explain how the whole place was stolen back before the discovery that this New World exists, too mind you, and don’t even know if Vatican and Vatican City are the same thing and the church is just the church of St. Peter and/or St. Paul. St. Peter’s, that’s what it is. I’m so fraught with homeless running around that wispy details are difficult to have all assembled so things wind up to this thrown-together state. Wait till you see what I might go get next, just recalling the name now, etc.

I’d had to quit right then, something odd, from this homeless syndrome. I found out I was mistaken about the outer looks of this guy who’d been an act in old Berlin so I’m not sure if it would wind up in this file, and I’m trying to recollect how I’d wanted to proceed with this Titian’s Schoolmaster area, that he looks like Florence Sabin’s pretty famous supervisor, Dr. Simon Flexner, big Jewish family from Louisville, KY. Then there’s some similarity that Pope Paul VI was likely bio-connected, I’d have to check the dates, but what was the — Amerigo Vespucci, I’m supposed to check on him in order to be able to get off of this subject and if so, if it doesn’t connect to Pope Francis then move it to somewhere for the time being. Flexner’s photos, that’s what I was up to. Oddly, Florence seldom had anything negative to say it seems but she did seem to think there was something wrong about Jewish people, that she’d used the phrase — he seems very nice, not at all like a Jewish type, or not very Jewish, a couple of times in what I’d been able to read so far and that struck me as a set up because her boss, Flexner, was Jewish, and his whole family and Albert Einstein and who all else in that day, around 1940, so what I’m suspecting so far is that this stereotype of the “magician” that is like the “Father of Petroleum” in the U.S. or everywhere, Edwin L. Drake, that sort of underworld-working “magician” type of humans that I’m calling Jomon here for my guess as to where they’d come from, had put to feel that way about Jewishness into her head as a sabotage for when all the “smart” people planned-for turned out to be Jewish and all around her and on their way to ruling the earth when the system’s space venture got all their people rich.

(some information on the Flexners in a blog, temple3.wordpress.com, but I’m not having alot of luck finding images to start the subject off with, to compare to the painting.)

7/27/18, Friday, a quick note that the point about the Wednesday Vatican big general audience of Pope Paul’s is that he spoke in 7 languages and the English was unrecognizable, unintelligible, so that I think I’d had that privilege of the audience because it was a special or a rote ritual for the listeners to “catch” or get then that sort of unintelligibility. The other point I want to mention is that they have skinny-sized of the oil magnate Marcus Samuel or people then bio-offspring-descended from him like Albert Grossman the music manager, off of him or similar then they developed a thin “line” or hybrid or mutant of their type that I only guess because of this huge inundation of the whole system. — I had to put a Continue reading sign because of the situation I’m alone in/with.

 

About kathyfoshay

I'm all alone with the real end of the world and always looking for assistance and no one's ever contacted me from the hundreds of letters I'd sent while at the big homeless shelter, 2nd and D Streets, NW, as though anyone that tries to contact me gets disappeared, my life used as a LURE-gimmick that goes to how that Armageddon prophecy in that book of Revelation has been being snuck-through, and this is sort of the bottom of the barrel of ideas for trying to find assistance, thinking I could get all my various writings on this in one place that letter-recipients could then look up if they're interested. That means I'd have to see if I can send my emails to here, how to do that. Wordpress said there is a way but it entails that spam would also get the email address. My time for now it up I guess. Working in this sitting position isn't healthy for me but I've always got to be doing something toward trying to get hold of someone to help me. It's like I'm a microcosm of the Earth or the human race and if someone could help me out of this torture then that'd be a start on trying to get the whole Earth out of this. 5/1/17, still all this, etc., same situation. (7/14/18 now....) Now it's 2019.
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