the Stealing the Vatican group

(merely trying to move the posts, sticking Stealing the Vatican here)

they long ago stole the vatican, All I can say is that this “Chains” della Rovere became Julius II looks like the politician John Edwards. Does “Platino” I think his name is offhand, have the notes somewhere else but might have to be discarding them as I’m trying to paper-reduce so I can get out of the Catholic Charities place in the one piece intact I’m still in, look like Steve McQueen? Those 2 guys in the back are similar to the 2 guys in the Chancellor (Nicholas) Rolin painting, by van Eyck I think it is, and might be or be from Charles the Bold and his “1/2-brother” Anthony, the Great “Batard” of Burgundy.

#226, They (long ago) stole the Vatican  .pdf, that blond guy kneeling’s name was Platina, the new chief librarian of the Vatican as it was being stolen from whoever’d lived there originally, etc., and I just found out yesterday, am noticing, that it looks like the actor, d. 1980 allegedly, Steve McQueen is his descendant. He and the standing dark-haired guy are probably brothers or half-brothers that look alike except for the hair color, that being “Chains” della Rovere who became Pope Julius II, however that had worked. That’s Pope Sixtus IV sitting, and he seems to have been a Borgia from Spain. This was around the time, shortly thereafter, that Magellan demonstrated that the planet, world, is round, not flat, and the Autists went running over to the “New World” to claim all the best locations for themselves. Then Washington got stuck up in this snowy area somehow even though it’s close to the South. This “Chains” della Rovere was allegedly from Genoa but looks like that Chancellor Rollin to me and that seems to be where most of this global-system comes from. I’ll try to send a copy of this 1999 wall-sculpture or indoor-tympanum at this local Basilica of the National Shrine of the Immaculate Conception of Mary, called something like “Universal Call to Holiness,” where the main figure looks like “Chains,” whose first name I can’t recall right now.

It seems that these figures had come down from Flanders/Burgundy, and Nicolas Rolin seems to be the main character then over the Philip the Good/Fair and then the Charles the Bold offspring and “1/2-brother” Anthony the Grande Batard of Burgundy (horror-personage.) #311, Chancellor Nicholas Rolin

Maybe that baby had come from the pregnant lady in that other famous painting, the Wedding of that guy from Lucca, the title/name escaping me right now, where he’s holding the finger up like, Wait, and that the baby might have been raised to then become the Alexander von Humboldt who — might have descendant-slaves all around everywhere nowadays.

June 29 — “Arnolfini Portrait” the search-engine says is the title, and yes the lady’s look alike. Jan van Eyck painted both the pictures, so I’m figuring that first the pregnant “Madonna” was painted with the husband “signing” to Wait, we’re not finished yet, and then when they were “finished” and the baby was birthed, then the thieves or murderers could take the baby instead of killing it along with the mother’s death or what was going on. It’s said that whoever he’s signing to is pictured in the reflection in the mirror behind the couple, that whoever was by the door or the easel their image would be in that mirror, but I haven’t been able to try to magnify a good copy of the painting. It’s in London’s National Gallery. So that that Chancellor Rolin, a big historical character but that was so long ago that I don’t know what the documentation on that life would be, appears to be picking up the baby, and then there are 2 guys outside with a peacock, like waiting for the Chancellor and come to think of it might be like the 2 guys behind the large figure in that Melozzo da Forli painting that I’ve dubbed the Stealing of the Vatican but is called the Inauguration of the Vatican Library. I’m trying to recall what name the big guy in this one has got, that that is young Pope Julius “Chains” the second I think, Cardinal della Rovere, Giuliani della Rovere maybe, but 2 different painters, and said to be from 2 different locales and times, Chancellor Rolin picking up the baby said to be from Flanders, up around Ghent somewhere, and the other one in Rome. Rubens had spend alot of time in Italy. It’s possible he was busy transporting paintings up to the north or vice-versa or both. But Chancellor Rolin and “Chains” della Rovere look alot alike. I can’t draw any 2 things the same, can barely make the same recipe 2 times that everything comes out slightly different, so I’ve been thinking that maybe those portraits are of the same model, and it’s a model that looks alot like “The Politician” John Edwards, and in the Basilica here they installed this multi-ton wall sculpture over the door which’s title escapes me right now, like Calling of the Holy Ones for the Millennium or such, over their door where the main figure, said to be the Virgin Mary character, looks like Mr. Edwards. Then I think I’ve got one in my purse that I might could try to send but it isn’t that urgent, where the Virgin Mary on the tympanum at Conques where the St/e. Foy is also looks like Mr. Edwards. I haven’t researched Aristotle yet either, trying to get to a few things on that subject, but they might come from that type, or from the Achilles type or both, and they’re a little involved in that car-hit on me, a type off of that type or vice-versa, some line of that type or type of that line, of the self-mass-reproducing Autists…. The big summary about Chancellor Rolin is that he was the manager for Charles the Bold’s time-period up there in Flanders, Charles and the other royalty of that time, Charles’ 1/2-brother or what called Anthony, the Great Batard, which we say means like vintner, wine-expert, steward or such. I don’t get to read on subjects like these, very motivated to do so but all my time is used up walking around these gutters all these years. The big writer on that history-period’s last name is Vaughan, Richard Vaughan or Vaughn, and it’s said that the “Vau” syllable indicated that magic is somehow connected to the subject, and all that time period is very murky but brings up that Rene d’Anjou and Joan of Arc and all those cliffs in the north of France. The Ghent Altarpiece is said to have been painted for the birth of Charles the Bold’s previous brother who’d passed at childbirth and so Charles had inherited the work as his birth-gift, and he’s much like that little Pilgrim, that the little Pilgrim might have been Charles the Bold’s pater and they went into the Percival business and pilgrimages out to La Finestre Spain and to Portugal, then over to claim the New World.

#3

12, Mr. Page and Mr. Shahan

mr page!

creationbasilica1 creationbasilica=dup.

lamb mosaic nsic basilica, this is gone now and difficult to get a copy of. They’re replacing it with a Nicene Creed theme I think I’d seen when I’d gone by to check something last winter.
— Here’s a little note I’ll just transfer from the above-MENU start for this file: I keep losing this (picture). The little booklet I get it from is probably real hard to find.I can’t afford the color-copies and they’re only 35-cents at that now-closed library. It’s that the circa 1920s artist Bancel LaFarge had done 2 ceiling mosaics at this Basilica of the National Shrine of the Immaculate Conception of Mary on Michigan Avenue, NE here and the face of the main figure in especially this, the “Last Judgment” mosaic looks just like Larry Page the Google co-founder to me, assuming that that’s what Mr. LaFarge had looked like. The other ceiling mosaic, on the East Apse on the Catholic University of America side of the Basilica, is “The Creation,” a must-see, plus both seem to have references to dinosaurs/dragons that intrigues me in the first place, etc. (Last Judgment ceiling mosaic at the Basilica NSIC, partner to The Creation mosaic on the East Apse, should be in a file here somewhere but it might not be anymore somehow.)

#243, Bishop Shahan?

Shahan_.pdf, I hadn’t noticed this resemblance anywhere else, even checking another copy of this same picture it doesn’t seem to be there. But it raises that this face and the “Cardinal Riario” in the Inauguration of the Vatican Library by Mellozzo da Forli (sp) and a character in the Charles the Bold Flemish miniatures all 3 or 4 have the same face. This is the only one that looks a little like the late Bishop Shahan (d. 1932) that I’ve noticed so far but that’s definitely something to look into. This one is the pope, Pope Alexander VI that issued the bull on the Line of Demarcation in 1492 that divided the New World finds into Spanish and Portuguese ownership. Then that was amended slightly by the Treaty of Tordesillas. I don’t understand any of it. They say this Pope Alexander VI was Alexander or Rodrigo Borgia from the town called Jativa just west of the Valencia coast of Spain and that he’d been a married cardinal, with Cesar and Lucrezia as his offspring. The whole thing might be fabrication by these world-stealers that are still doing it today and doing it off of me and there were Shahan-types all over me just prior to that car-hit and then I’ve just been all alone with all this the same as before getting tricked out to Maryland. — Also check Jean Chevrot from Flanders-time.

#134, CreationBasilica. — moved to post #312, pdf

#255, recipients of my letters innocently take them underground and face only murder-rage that I’m nothing but a

bad slut, etc., then all the (non-Autist) witnesses get holocaust “disappeared”  .pdf so I therefore hardly give this URL to anyone, only a few of the medical and then the legal and insurance people but I’m growing increasingly desperate to get out of this (Catholic Charities) shelter at the end of Massachusetts Avenue by the Anacostia because there isn’t enough air circulation where I sleep. I’ve been stranded with some of these same people and staff since 2005 and I can’t get the bed changed basically because it’s just a “joke” that I’m all by myself without surviving witnesses to any of this behind-my-back-under-my-feet “Armageddon Program,” Armageddon-making show nightmare invisibly all over and off of me. When I got the mail from the Maryland car driver’s insurance company I thought I’d get restituted (sic) and could use the money to go read Florence Sabin’s voluminous (12 feet or so) letters mostly daily to her sister in Denver and that that could explain how circa 100 years ago the system had been sneaking around setting all this up and then into all the medical work she’d done. Also she’d got alot of letters at Johns Hopkins in Baltimore I could look at after Smith and the whole medical system could potentially get straightened out, then the legal, insurance, government, etc., but, the journey of a thousand miles starts with a single step and I’ve just been stranded here in this sneaky “Armageddon” strategy since 2005, writing as many letters as I can that the system (merely) comes from an obscure people under the other side of the planet who’ve got Prehistoric-descended Autism-psychopathy with dependence on hallucingens from other people, which makes them parasites and parasites have a self-limiting future, we are really going to become extinct and those’s ancestors had long ago destroyed the developing solar system because nature can’t create just to turn over the new lives to Autist-psychopaths, etc., I’m always trying to explain but I’ve gotten absolutely covered-up to nowhere. Please, please be careful not to let my material get taken out of context, using it as a LURE for normal people is how the Armageddon-making has been getting accomplished for decades now and in general back to that 1962 “French Connection” photo where those are suitcases that I’d been “tricked” into playing with before they’d disappeared for that. They’re likely still in police storage, but I’ve always got to try to “make contact” with one human-level being and so I send out these letters and the system contacts the recipients and over the years has grown completely strong so that I’m just sitting underneath all sabotage still trying to do the same thing but my health is bad from these “show” condtions plus the (horror) library downtown has closed so I don’t even have anywhere to be during the day, am in walking distance to your building though. The American Chemical Society and the NIH live in like a parallel Autists’ world that doesn’t understand or notice anything that I’m trying to say.  For a hundred dollars I could get a bus up to Smith College and $400 would buy 5 days in a hotel within walking distance to the library and then they seem to have reasonable bed and breakfasts in Northampton because there might be a whole lot I could find in her letters that would help that could  make an extended stay, toward clearing up this Armageddon-situation as I figure she was a predecessor to this same “magic,” the magic, science and religion situation that I, and the planet, solar system and universe, have got. I hardly get any time on computer and am thinking back and forth between this and a letter to some social work-type and hope you can realize that I’m only this tiny thing and the most-tortured person because I’m aware the this system comes from that mere developmental disability and the system just purposely uses my letters for assistance as a war-gimmick, so again please try to be more careful with the material but try to figure a way anyone could work with me. I hope you got my email from over the weekend, about Dubos’ photo. Sincerely, K. Foshay

Things are going really badly for me out here and there hasn’t been any email-receipt, 8/24 now, so I haven’t been able to get back and explain these illustrations yet, as it’d taken me months to finally even get that “the root problem”  gotten back to, now I’m trying to coordinate it with this big-deal ceiling painting from this Basilica here, that these dark-haired boys are not the natural mates to blonde females, the blondes have been their obsession for thousands of  years, like the sun had previously been their obsession that led them to force their way over Beringia against nature’s attempts to keep them back from that northern area where they’d then gotten lost and we’re going to lose the Earth and therefore the human species because their psyches keep everything covered up. I have to get off of here and will now try sending that mate-ceiling painting to this Creation one, that then leads into some other whole kind of Armageddon-disaster type-problem for me but they do go together and it’s all relevant to what I’m trying, safely, to get across. (8/27, as usual everything is generally rotten for me. Like, out of nowhere I realized that this housing-employee is likely also one of my relatives, through “Brave New World” writer/author Aldous Huxley, that that’s how we’re getting that BNW in real life, offspring-descendants of pro-“LSD” people like Huxley working for the brain-serum they feel good off of, all over the place in “diverse” disguises. Plus the place is making innuendoes/ideas-of-reference that they’re going to get me psychiatrically confined or hit by a car or whatever other means of getting rid of me, as I’m getting all this insight to how this housing/real estate business is being run, off of those generationally-enslaved captives’ thinking for all the different types of “Autism” and “Neanderthalism” that there are in the system holding captives so they can get what they want, which in the Huxley-line seems to be mainly the narcotics, but now there’s also the odd factor that I’d grown up with this fraudulent-relative female as something of a role-model and I can see how she was, to put it non-euphemistically, always a liar and coverer-up for the horror-situation I’d always had but with no idea how such could be possible.

I’m having a little trouble getting this matching ceiling-painting onto here, that goes with the “The Creation.” It was difficult finding out who’d painted these and after many books and some questioning there I finally got the name Bancel LaFarge and that he’d passed in the early 1930s, a son of artist John LaFarge but they don’t look alike, me assuming that Bancel looked like the “Adam” figure as that’s the same face in the “The Last Judgment” painting I’m trying to get onto here, and then they have this huge “Christ in Majesty” that’s important also that I’ll get to, but also now there is a 1959 photo-lie of me to do with housing I’m going to try to dig up out of the Library of Congress soon as I can that might get in the way of trying to keep these post-files in some sort of organized order for trying to get across what all I’m talking about. That “aunt” had never noticed anything wrong about the way I was being raised and I couldn’t figure it out and all of a sudden I realized she was likely the “egg-mother” of this housing worker. One of my college teachers in retrospect and then comparing pictures I figure also had come from Huxley, a well-known lady, and the guy that tricked me into being the doof-bait in this horror-LURE “Armageddon Show” was likely one of Huxley’s offspring-descendants I call the “Brave New World” disembodied-ovae-fertilized “products,” for lack of anyone to assist me with all this. I don’t know how to describe it all or why there’s never any comment-feedback to all the writing I’ve distributed or not to this blogsite. I don’t want to advertise for readers because tricking people through my writing is how these system-people have been doing their getting rid of the normal people, kill and replacing the normal people out here and wherever they all are, the undergrounders, because people who like to stay high on LSD/brain only can stay underground to feel secure against getting caught or bothered by others, they just want to sit and enjoy themselves.

I’m having this same “technical problem” with the words’ all being like black bars like the whole thing is censored, that i’ll have to try to figure to fi — straighten out.

#307, An Extra WARNING, really

This is more or less what people have gone through in broaching the underworld with the concept of getting some assistance to me.

(duplicated here because of some technical difficulty:) bad slut, etc., then all the (non-Autist) witnesses get holocaust “disappeared”  .pdfso I therefore hardly give this URL to anyone, only a few of the medical and then the legal and insurance people but I’m growing increasingly desperate to get out of this (Catholic Charities) shelter at the end of Massachusetts Avenue by the Anacostia because there isn’t enough air circulation where I sleep. I’ve been stranded with some of these same people and staff since 2005 and I can’t get the bed changed basically because it’s just a “joke” that I’m all by myself without surviving witnesses to any of this behind-my-back-under-my-feet “Armageddon Program,” Armageddon-making show nightmare invisibly all over and off of me. When I got the mail from the Maryland car driver’s insurance company I thought I’d get restituted (sic) and could use the money to go read Florence Sabin’s voluminous (12 feet or so) letters mostly daily to her sister in Denver and that that could explain how circa 100 years ago the system had been sneaking around setting all this up and then into all the medical work she’d done. Also she’d got alot of letters at Johns Hopkins in Baltimore I could look at after Smith and the whole medical system could potentially get straightened out, then the legal, insurance, government, etc., but, the journey of a thousand miles starts with a single step and I’ve just been stranded here in this sneaky “Armageddon” strategy since 2005, writing as many letters as I can that the system (merely) comes from an obscure people under the other side of the planet who’ve got Prehistoric-descended Autism-psychopathy with dependence on hallucingens from other people, which makes them parasites and parasites have a self-limiting future, we are really going to become extinct and those’s ancestors had long ago destroyed the developing solar system because nature can’t create just to turn over the new lives to Autist-psychopaths, etc., I’m always trying to explain but I’ve gotten absolutely covered-up to nowhere. Please, please be careful not to let my material get taken out of context, using it as a LURE for normal people is how the Armageddon-making has been getting accomplished for decades now and in general back to that 1962 “French Connection” photo where those are suitcases that I’d been “tricked” into playing with before they’d disappeared for that. They’re likely still in police storage, but I’ve always got to try to “make contact” with one human-level being and so I send out these letters and the system contacts the recipients and over the years has grown completely strong so that I’m just sitting underneath all sabotage still trying to do the same thing but my health is bad from these “show” condtions plus the (horror) library downtown has closed so I don’t even have anywhere to be during the day, am in walking distance to your building though. The American Chemical Society and the NIH live in like a parallel Autists’ world that doesn’t understand or notice anything that I’m trying to say.  For a hundred dollars I could get a bus up to Smith College and $400 would buy 5 days in a hotel within walking distance to the library and then they seem to have reasonable bed and breakfasts in Northampton because there might be a whole lot I could find in her letters that would help that could  make an extended stay, toward clearing up this Armageddon-situation as I figure she was a predecessor to this same “magic,” the magic, science and religion situation that I, and the planet, solar system and universe, have got. I hardly get any time on computer and am thinking back and forth between this and a letter to some social work-type and hope you can realize that I’m only this tiny thing and the most-tortured person because I’m aware the this system comes from that mere developmental disability and the system just purposely uses my letters for assistance as a war-gimmick, so again please try to be more careful with the material but try to figure a way anyone could work with me. I hope you got my email from over the weekend, about Dubos’ photo. Sincerely, K. Foshay

Things are going really badly for me out here and there hasn’t been any email-receipt, 8/24 now, so I haven’t been able to get back and explain these illustrations yet, as it’d taken me months to finally even get that “the root problem”  gotten back to, now I’m trying to coordinate it with this big-deal ceiling painting from this Basilica here, that these dark-haired boys are not the natural mates to blonde females, the blondes have been their obsession for thousands of  years, like the sun had previously been their obsession that led them to force their way over Beringia against nature’s attempts to keep them back from that northern area where they’d then gotten lost and we’re going to lose the Earth and therefore the human species because their psyches keep everything covered up. I have to get off of here and will now try sending that mate-ceiling painting to this Creation one, that then leads into some other whole kind of Armageddon-disaster type-problem for me but they do go together and it’s all relevant to what I’m trying, safely, to get across. (8/27, as usual everything is generally rotten for me. Like, out of nowhere I realized that this housing-employee is likely also one of my relatives, through “Brave New World” writer/author Aldous Huxley, that that’s how we’re getting that BNW in real life, offspring-descendants of pro-“LSD” people like Huxley working for the brain-serum they feel good off of, all over the place in “diverse” disguises. Plus the place is making innuendoes/ideas-of-reference that they’re going to get me psychiatrically confined or hit by a car or whatever other means of getting rid of me, as I’m getting all this insight to how this housing/real estate business is being run, off of those generationally-enslaved captives’ thinking for all the different types of “Autism” and “Neanderthalism” that there are in the system holding captives so they can get what they want, which in the Huxley-line seems to be mainly the narcotics, but now there’s also the odd factor that I’d grown up with this fraudulent-relative female as something of a role-model and I can see how she was, to put it non-euphemistically, always a liar and coverer-up for the horror-situation I’d always had but with no idea how such could be possible.

I’m having a little trouble getting this matching ceiling-painting onto here, that goes with the “The Creation.” It was difficult finding out who’d painted these and after many books and some questioning there I finally got the name Bancel LaFarge and that he’d passed in the early 1930s, a son of artist John LaFarge but they don’t look alike, me assuming that Bancel looked like the “Adam” figure as that’s the same face in the “The Last Judgment” painting I’m trying to get onto here, and then they have this huge “Christ in Majesty” that’s important also that I’ll get to, but also now there is a 1959 photo-lie of me to do with housing I’m going to try to dig up out of the Library of Congress soon as I can that might get in the way of trying to keep these post-files in some sort of organized order for trying to get across what all I’m talking about. That “aunt” had never noticed anything wrong about the way I was being raised and I couldn’t figure it out and all of a sudden I realized she was likely the “egg-mother” of this housing worker. One of my college teachers in retrospect and then comparing pictures I figure also had come from Huxley, a well-known lady, and the guy that tricked me into being the doof-bait in this horror-LURE “Armageddon Show” was likely one of Huxley’s offspring-descendants I call the “Brave New World” disembodied-ovae-fertilized “products,” for lack of anyone to assist me with all this. I don’t know how to describe it all or why there’s never any comment-feedback to all the writing I’ve distributed or not to this blogsite. I don’t want to advertise for readers because tricking people through my writing is how these system-people have been doing their getting rid of the normal people, kill and replacing the normal people out here and wherever they all are, the undergrounders, because people who like to stay high on LSD/brain only can stay underground to feel secure against getting caught or bothered by others, they just want to sit and enjoy themselves.

I’m having this same “technical problem” with the words’ all being like black bars like the whole thing is censored, that i’ll have to try to figure to fi — straighten out.

#307, An Extra WARNING, really

t

#310,

they long ago stole the vatican, All I can say is that this “Chains” della Rovere became Julius II looks like the politician John Edwards. Does “Platino” I think his name is offhand, have the notes somewhere else but might have to be discarding them as I’m trying to paper-reduce so I can get out of the Catholic Charities place in the one piece intact I’m still in, look like Steve McQueen? Those 2 guys in the back are similar to the 2 guys in the Chancellor (Nicholas) Rolin painting, by van Eyck I think it is, and might be or be from Charles the Bold and his “1/2-brother” Anthony, the Great “Batard” of Burgundy.

#226, They (long ago) stole the Vatican  .pdf, that blond guy kneeling’s name was Platina, the new chief librarian of the Vatican as it was being stolen from whoever’d lived there originally, etc., and I just found out yesterday, am noticing, that it looks like the actor, d. 1980 allegedly, Steve McQueen is his descendant. He and the standing dark-haired guy are probably brothers or half-brothers that look alike except for the hair color, that being “Chains” della Rovere who became Pope Julius II, however that had worked. That’s Pope Sixtus IV sitting, and he seems to have been a Borgia from Spain. This was around the time, shortly thereafter, that Magellan demonstrated that the planet, world, is round, not flat, and the Autists went running over to the “New World” to claim all the best locations for themselves. Then Washington got stuck up in this snowy area somehow even though it’s close to the South. This “Chains” della Rovere was allegedly from Genoa but looks like that Chancellor Rollin to me and that seems to be where most of this global-system comes from. I’ll try to send a copy of this 1999 wall-sculpture or indoor-tympanum at this local Basilica of the National Shrine of the Immaculate Conception of Mary, called something like “Universal Call to Holiness,” where the main figure looks like “Chains,” whose first name I can’t recall right now.

It seems that these figures had come down from Flanders/Burgundy, and Nicolas Rolin seems to be the main character then over the Philip the Good/Fair and then the Charles the Bold offspring and “1/2-brother” Anthony the Grande Batard of Burgundy (horror-personage.) #311, Chancellor Nicholas Rolin

Maybe that baby had come from the pregnant lady in that other famous painting, the Wedding of that guy from Lucca, the title/name escaping me right now, where he’s holding the finger up like, Wait, and that the baby might have been raised to then become the Alexander von Humboldt who — might have descendant-slaves all around everywhere nowadays.

June 29 — “Arnolfini Portrait” the search-engine says is the title, and yes the lady’s look alike. Jan van Eyck painted both the pictures, so I’m figuring that first the pregnant “Madonna” was painted with the husband “signing” to Wait, we’re not finished yet, and then when they were “finished” and the baby was birthed, then the thieves or murderers could take the baby instead of killing it along with the mother’s death or what was going on. It’s said that whoever he’s signing to is pictured in the reflection in the mirror behind the couple, that whoever was by the door or the easel their image would be in that mirror, but I haven’t been able to try to magnify a good copy of the painting. It’s in London’s National Gallery. So that that Chancellor Rolin, a big historical character but that was so long ago that I don’t know what the documentation on that life would be, appears to be picking up the baby, and then there are 2 guys outside with a peacock, like waiting for the Chancellor and come to think of it might be like the 2 guys behind the large figure in that Melozzo da Forli painting that I’ve dubbed the Stealing of the Vatican but is called the Inauguration of the Vatican Library. I’m trying to recall what name the big guy in this one has got, that that is young Pope Julius “Chains” the second I think, Cardinal della Rovere, Giuliani della Rovere maybe, but 2 different painters, and said to be from 2 different locales and times, Chancellor Rolin picking up the baby said to be from Flanders, up around Ghent somewhere, and the other one in Rome. Rubens had spend alot of time in Italy. It’s possible he was busy transporting paintings up to the north or vice-versa or both. But Chancellor Rolin and “Chains” della Rovere look alot alike. I can’t draw any 2 things the same, can barely make the same recipe 2 times that everything comes out slightly different, so I’ve been thinking that maybe those portraits are of the same model, and it’s a model that looks alot like “The Politician” John Edwards, and in the Basilica here they installed this multi-ton wall sculpture over the door which’s title escapes me right now, like Calling of the Holy Ones for the Millennium or such, over their door where the main figure, said to be the Virgin Mary character, looks like Mr. Edwards. Then I think I’ve got one in my purse that I might could try to send but it isn’t that urgent, where the Virgin Mary on the tympanum at Conques where the St/e. Foy is also looks like Mr. Edwards. I haven’t researched Aristotle yet either, trying to get to a few things on that subject, but they might come from that type, or from the Achilles type or both, and they’re a little involved in that car-hit on me, a type off of that type or vice-versa, some line of that type or type of that line, of the self-mass-reproducing Autists…. The big summary about Chancellor Rolin is that he was the manager for Charles the Bold’s time-period up there in Flanders, Charles and the other royalty of that time, Charles’ 1/2-brother or what called Anthony, the Great Batard, which we say means like vintner, wine-expert, steward or such. I don’t get to read on subjects like these, very motivated to do so but all my time is used up walking around these gutters all these years. The big writer on that history-period’s last name is Vaughan, Richard Vaughan or Vaughn, and it’s said that the “Vau” syllable indicated that magic is somehow connected to the subject, and all that time period is very murky but brings up that Rene d’Anjou and Joan of Arc and all those cliffs in the north of France. The Ghent Altarpiece is said to have been painted for the birth of Charles the Bold’s previous brother who’d passed at childbirth and so Charles had inherited the work as his birth-gift, and he’s much like that little Pilgrim, that the little Pilgrim might have been Charles the Bold’s pater and they went into the Percival business and pilgrimages out to La Finestre Spain and to Portugal, then over to claim the New World.

(there’s some odd coding here that’s likely connected to all the black bars in these mentions of the basilica, that goes div>div>div> variants
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