“British Invasion”

the Yardbirds, London, can’t find a PD photo

the Zombies, St. Albans, Hertforshire, 2019 photo: houston chronicle dot com slash entertainment/music/article/The-curious-case-of-the-Zombies-revival-13625408 dot php

Chad and Jeremy, Peter and Gordon

Chad Stuart, Jeremy Clyde,  chadandjeremy dot net, commons dot wikimedia dot org/wiki/File:Chad_and_Jeremy_1966_(cropped) dot JPG  — plus there’s a 2005 PD one of them too; Peter Asher, Gordon Waller =en dot wikipedia dot org/wiki/File:Peter_and_Gordon dot jpg

 

Herman’s Hermits, Manchester

Original file ‎(959 × 716 pixels, file size: 57 KB, MIME type: image/jpeg)

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English
Add a one-line explanation of what this file represents
Description Photo of Herman’s Hermits from a 1968 performance at the Ohio State Fair. The fair concert was broadcast on NBC as a television special “In Concert:With Herman’s Hermits”.
Date
Source eBay itemphoto front

photo back

Author NBC Television
  • The original copy of the photo was part of a newspaper library. The newspaper pasted a clipping on its back and then applied its copyright stamp to the back for the pasted text. The text has been obscured and the copyright marking for this text removed. The newspaper would have no rights or ownership over the photo; this was received by them from NBC.
  • There are no copyright markings pertaining to the image as can be seen in the links above.
  • United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.”)

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

 

The Hollies, mostly Manchester

Description

English: Trade ad for The Hollies‘s single “I’m Alive” (from left to right: Eric HaydockAllan ClarkeGraham NashTony Hicks and Bobby Elliott).

To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.

Date
Source Billboard, page 19, 10 July 1965
Author Imperial Records
Permission
(Reusing this file)
  • The ad appeared in the 10 July 1965 issue of Billboard and can be dated from that publication; it is pre-1978.
  • There are no copyright markings as can be seen at the full view link.
  • The ad is not covered by any copyrights for Billboard.
  • US Copyright Office page 3-magazines are collective works (PDF)

“A notice for the collective work will not serve as the notice for advertisements inserted on behalf of persons other than the copyright owner of the collective work. These advertisements should each bear a separate notice in the name of the copyright owner of the advertisement.”

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

Wayne Fontana and the Mindbenders, Manchester

Original file ‎(1,380 × 761 pixels, file size: 839 KB, MIME type: image/png)

CaptionsEdit

English
Add a one-line explanation of what this file represents

Summary[edit]

Description

English: Trade ad for Wayne Fontana & The Mindbenders‘s single “She Needs Love”.

To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.

Date
Source Billboard, page 25,18 September 1965
Author Fontana Records
Permission
(Reusing this file)
  • The ad appeared in the 18 September 1965 issue of Billboard and can be dated from that publication; it is pre-1978.
  • There are no copyright markings as can be seen at the full view link.
  • The ad is not covered by any copyrights for Billboard.
  • US Copyright Office page 3-magazines are collective works (PDF)

“A notice for the collective work will not serve as the notice for advertisements inserted on behalf of persons other than the copyright owner of the collective work. These advertisements should each bear a separate notice in the name of the copyright owner of the advertisement.”

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

 

Rolling Stones, London

Original file ‎(532 × 636 pixels, file size: 86 KB, MIME type: image/jpeg)

CaptionsEdit

English
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Summary[edit]

Description Group photographs of the Rolling Stones taken from a 1965 Billboard trade ad. From up to down: Mick Jagger; Charlie Watts and Keith Richards; Brian Jones and Bill Wyman.
Date
Source Billboard, 1965-05-01, pag. 25
Author London Records
Permission
(Reusing this file)
Public domain This advertisement (or image from an advertisement) is in the public domain because it was published in a collective work (such as a periodical issue) in the United States between 1924 and 1977 and without a copyright notice specific to the advertisement. Unless its author has been dead for several years, it is copyrighted in jurisdictions that do not apply the rule of the shorter term for US works, such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. See this page for further explanation.

The Pretty Things, London

Original file ‎(3,357 × 2,625 pixels, file size: 1.4 MB, MIME type: image/jpeg); ZoomViewer: flash/no flash

CaptionsEdit

English
Add a one-line explanation of what this file represents

Summary[edit]

Description
Nederlands: Aankomst Pretty Things (beatgroep) op Schiphol, v.l.n.r Brian Pendleton (rhytmgitarist), John Stax (basgitarist), Dick Taylor (sologitarist), Phil May (zang en harmonica), Viv Prince (drummer)
Date
Source GaHetNa (Nationaal Archief NL) NL-HaNA 2.24.01.04 0 917-6653
Author Photographer: Joop van Bilsen (ANEFO)

Licensing[edit]

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

 

the Small Faces, East London

File:Small Faces 1965.JPG

Description Photo of the rock group the Small Faces. From left-Steve Mariott, Ronnie Lane, Jimmy Winston, Kenney Jones.
Date
Source Billboard page 35
Author Press Records
Permission
(Reusing this file)
Pre-1978, no mark

“A notice for the collective work will not serve as the notice for advertisements inserted on behalf of persons other than the copyright owner of the collective work. These advertisements should each bear a separate notice in the name of the copyright owner of the advertisement.”

  • Copyright for Billboard magazine would not affect this non-marked Press Records ad. Press didn’t label their ad as under copyright.

Licensing[edit]

Public domain This advertisement (or image from an advertisement) is in the public domain because it was published in a collective work (such as a periodical issue) in the United States between 1924 and 1977 and without a copyright notice specific to the advertisement. Unless its author has been dead for several years, it is copyrighted in jurisdictions that do not apply the rule of the shorter term for US works, such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. See this page for further explanation.

 

Gerry and the Pacemakers, Liverpool, Brian Epstein mgr.

Original file ‎(889 × 718 pixels, file size: 64 KB, MIME type: image/jpeg)

CaptionsEdit

English
Add a one-line explanation of what this file represents
Description Photo of Gerry and the Pacemakers musical group in 1964 taken by a New York photographer. This appears to be their first trip to the United States, likely to appear on The Ed Sullivan Show.
Date
Source eBay itemphoto front

photo back

Author Photographer: Paul Schumach, Metropolitan Photo Service, New York City.
Permission
(Reusing this file)
PD-PRE1978.

  • The photo has no copyright markings on it as can be seen in the links above.
  • It was created for publicity purposes-distribution to the media. The image was meant to bring attention and publicity for the personalities pictured and their music, the same as the publicity photos for actors and actresses in the film industry were intended to do.
  • United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.”)

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
Description Photo of the New York arrival of Gerry and the Pacemakers, 1964, by a New York photographer.
Date
Source eBay itemphoto front

photo back

Author Photographer: Paul Schumach, Metropolitan Photo Service, New York City.
Permission
(Reusing this file)
PD-PRE1978.

  • The photo has no copyright markings on it as can be seen in the links above.
  • It was created for publicity purposes-distribution to the media. The image was meant to bring attention and publicity for the personalities pictured and their music, the same as the publicity photos for actors and actresses in the film industry were intended to do.
  • United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.”)

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

the Spencer Davis Group, Birmingham

Original file ‎(2,595 × 2,145 pixels, file size: 1.57 MB, MIME type: image/jpeg); ZoomViewer: flash/no flash

CaptionsEdit

English
Add a one-line explanation of what this file represents

Summary[edit]

Description
English: Rehearsal of The Spencer Davis Group, before performing at the Grand Gala du Disque, Concertgebouw Amsterdam, 30 Sept. 1966. From left to right: Muff Winwood (bass), Spencer Davis (guitar), Pete York (drums) & Steve Winwood (organ)
Date
Source Cropped frm GaHetNa (Nationaal Archief NL) 919-6229
Author Ron Kroon (ANEFO)
Other versions
image extraction process This file has been extracted from another file: SpencerDavisGroup1966RonKroon2.jpg original file

Licensing[edit]

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.
Description Publicity photo for the music group The Spencer Davis Group.
Date There is a 27 February 1974 date on back.
Source eBay itemphoto front

photo back

Author Vertigo Records (a division of Mercury Records).
Permission
(Reusing this file)
PD-PRE1978.

  • The photo has no copyright markings on it as can be seen in the links above.
  • United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.”)

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

Tremeloes, Dagenham, Essex

Description Trade ad for The Tremeloes‘s single “My Little Lady”.

To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.

Date
Source Billboard, page 63, 5 October 1968
Author Epic Records

Licensing[edit]

Public domain This advertisement (or image from an advertisement) is in the public domain because it was published in a collective work (such as a periodical issue) in the United States between 1924 and 1977 and without a copyright notice specific to the advertisement. Unless its author has been dead for several years, it is copyrighted in jurisdictions that do not apply the rule of the shorter term for US works, such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. See this page for further explanation.

The Creation, Cheshunt, uk

The Hullabaloos, Hull, uk

Dave Dee Dozy Beaky Mick & Tich, Wiltshire (Stonehenge in the southwest, landlocked.:

Description Trade ad for Dave Dee, Dozy, Beaky, Mick & Tich‘s single “Save Me”.

To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.

Date
Source Billboard, page 35, 28 January 1967
Author Fontana Records
Permission
(Reusing this file)
  • The ad appeared in the 28 January 1967 issue of Billboard and can be dated from that publication; it is pre-1978.
  • There are no copyright markings as can be seen at the full view link.
  • The ad is not covered by any copyrights for Billboard.
  • US Copyright Office page 3-magazines are collective works (PDF)

“A notice for the collective work will not serve as the notice for advertisements inserted on behalf of persons other than the copyright owner of the collective work. These advertisements should each bear a separate notice in the name of the copyright owner of the advertisement.”

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

The Move, Birmingham

Original file ‎(1,313 × 669 pixels, file size: 611 KB, MIME type: image/png)

CaptionsEdit

English
Add a one-line explanation of what this file represents

Summary[edit]

Description Trade ad for The Move‘s single “I Can Hear The Grass Grow”.

To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.

Date
Source Billboard, page 23, 24 June 1967
Author Deram/London Records
Other versions

Licensing[edit]

Public domain This advertisement (or image from an advertisement) is in the public domain because it was published in a collective work (such as a periodical issue) in the United States between 1924 and 1977 and without a copyright notice specific to the advertisement. Unless its author has been dead for several years, it is copyrighted in jurisdictions that do not apply the rule of the shorter term for US works, such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. See this page for further explanation.

 

Cilla Black was Liverpool

north London, Dave Clark Five, I’m getting disorganized

File:Dave Clark Five 1964.JPG

Publicity photo of The Dave Clark Five from their cameo performing appearance in the US film Get Yourself a College Girl.
Date
Source eBay itemphoto front

photo back

Author MGM
  • The photo has no copyright markings on it as can be seen in the links above.
  • United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies.
1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.”
2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles.
3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.”)

Licensing[edit]

PD-icon.svg
This work is in the public domain in the United States because it was published in the United States between 1924 and 1977 without a copyright notice. See Commons:Hirtle chart for further explanation. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author’s death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

 

This is all I can look up right now, have to do that planet trillaphon real quick.

About kathyfoshay

I'm all alone with the real end of the world and always looking for assistance and no one's ever contacted me from the hundreds of letters I'd sent while at the big homeless shelter, 2nd and D Streets, NW, as though anyone that tries to contact me gets disappeared, my life used as a LURE-gimmick that goes to how that Armageddon prophecy in that book of Revelation has been being snuck-through, and this is sort of the bottom of the barrel of ideas for trying to find assistance, thinking I could get all my various writings on this in one place that letter-recipients could then look up if they're interested. That means I'd have to see if I can send my emails to here, how to do that. Wordpress said there is a way but it entails that spam would also get the email address. My time for now it up I guess. Working in this sitting position isn't healthy for me but I've always got to be doing something toward trying to get hold of someone to help me. It's like I'm a microcosm of the Earth or the human race and if someone could help me out of this torture then that'd be a start on trying to get the whole Earth out of this. 5/1/17, still all this, etc., same situation. (7/14/18 now....) Now it's 2019.
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